The Resurgence of Classic Cinema: Exploring “The Brutalist” and Its Impact on Modern Filmmaking

In a cinematic landscape dominated by fast-paced blockbusters and franchise films, the independent film “The Brutalist” emerges as a refreshing ode to classic American cinema. Running for an impressive 3½ hours, complete with a 15-minute intermission reminiscent of the grand epics of the past, “The Brutalist” is not just a film; it is an experience. As audiences prepare to step into theaters for this ambitious project, the producers Trevor Matthews and Nick Gordon have crafted a narrative that challenges contemporary filmmaking norms while celebrating the rich storytelling heritage of Hollywood.

A Journey Through Time: The Making of “The Brutalist”

The movie’s narrative is a sweeping exploration of the life of a Hungarian Jewish architect, portrayed by the talented Adrien Brody, who immigrates to the United States after World War II. This character-driven story is interwoven with themes of aspiration, identity, and the intricate dance between the American Dream and reality. Matthews, the chief executive of Brookstreet Pictures, reflects on the film’s unique quality: “It really just felt like they don’t make movies like this anymore.” This sentiment resonates with many cinephiles who yearn for the depth and emotional resonance found in classic cinema.

Embracing Risk: The Financial Landscape

One of the most intriguing aspects of “The Brutalist” is the financial risk involved in bringing such a project to life. With a budget of around $10 million, Matthews and Gordon faced the daunting task of securing funding for a film that defies conventional commercial viability. “There’s nothing inherently commercial about this,” Gordon notes, highlighting the challenges of attracting investors to a project that strays from genre-driven narratives usually favored in the indie film market.

To mitigate risks for equity investors, the production team leveraged a combination of international distribution rights and tax incentives. Pre-selling distribution rights to Focus Features during the virtual Toronto International Film Festival provided the financial foundation necessary for production. Furthermore, filming in Hungary allowed the team to utilize experienced crews and beneficial rebate programs, making the project more feasible despite its ambitious scope.

A Cinematic Experience: The Intermission

The inclusion of an intermission in “The Brutalist” is a bold choice that sets it apart from contemporary films. Similar to classic Hollywood films such as “Gone With the Wind” and “Lawrence of Arabia,” this intermission allows audiences to digest the unfolding narrative and enhances the overall cinematic experience. A source close to A24, the studio that acquired U.S. rights to the film, expressed admiration for this decision, stating that it “was a commitment to a theatrical experience that felt exciting.” This commitment to preserving the integrity of the storytelling process is a testament to the film’s creators and their desire to honor the traditions of filmmaking.

The Challenges of Modern Film Distribution

Despite the artistic vision behind “The Brutalist,” the broader market for such films remains uncertain. In an era where moviegoers are increasingly selective about their cinematic choices, the challenge lies in attracting audiences to a lengthy, heavy drama like this. Shawn Robbins, director of analytics at Fandango, notes a clear trend favoring escapism and fantastical stories among viewers. This preference poses a challenge for films like “The Brutalist,” which tackle complex themes that may not appeal to everyone.

However, the film’s potential for success should not be underestimated. Much like the critically acclaimed “Parasite,” which successfully blended prestige filmmaking with mainstream appeal, “The Brutalist” may find its audience through word-of-mouth and critical acclaim. “Not everything has to be a big blockbuster to be successful,” Robbins adds, highlighting the importance of storytelling and character development in attracting viewers to theaters.

A Hopeful Future for Independent Cinema

Despite the hurdles faced by independent filmmakers, Matthews remains optimistic about the future of original storytelling in cinema. He believes that there is still a significant audience hungry for unique and thought-provoking films. “For me, it does feel like a resurgence is on its way,” Matthews asserts, emphasizing the enduring demand for independent movies that challenge the status quo.

The success of “The Brutalist” could pave the way for a new wave of indie films that prioritize character-driven narratives and artistic integrity over commercial viability. As the film prepares for its limited release and eventual nationwide expansion, it stands as a testament to the enduring power of storytelling and the resilience of independent cinema.

Conclusion

“The Brutalist” is more than just a film; it is a bold statement about the state of modern cinema and the enduring appeal of classic storytelling traditions. With its expansive narrative, richly developed characters, and commitment to the theatrical experience, the film invites audiences to reflect on the complexities of the American Dream. As producers Trevor Matthews and Nick Gordon navigate the challenges of financing and distribution, their vision for a resurgence of meaningful cinema offers hope for filmmakers and audiences alike. In a world increasingly dominated by instant gratification and quick entertainment, “The Brutalist” reminds us of the power of cinema to challenge, inspire, and resonate deeply with the human experience.