Holiday Action Showdown: ‘Red One’ Outshines ‘Carry On’ in Streaming Ratings

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Streaming Success: Red One and Carry-On Top Nielsen Charts

In an era where streaming has become the preferred medium for entertainment consumption, the performance of new releases can make or break their success. The week of December 9-15, 2024, was particularly notable for Prime Video and Netflix, as both platforms released highly anticipated films that topped Nielsen’s streaming charts. Prime Video’s Christmas-themed action comedy, Red One, and Netflix’s thriller, Carry-On, both captivated audiences and generated impressive viewing statistics, showcasing the competitive landscape of streaming services.

Red One: A Holiday Hit

Red One, starring Chris Evans and Dwayne Johnson, emerged as the clear victor in the Nielsen rankings, accumulating an astonishing 2.1 billion minutes of viewing in the United States alone during its premiere week. This remarkable achievement is particularly noteworthy as Amazon Studios heralded it as their biggest worldwide premiere to date. The film not only captured the attention of streaming audiences but also enjoyed a brief theatrical release, grossing approximately $186 million globally at the box office.

This action-comedy film combines the festive spirit of Christmas with high-octane thrills, appealing to a broad demographic of viewers looking for both holiday cheer and entertainment. The star power of Evans and Johnson, two of Hollywood’s most bankable actors, undoubtedly contributed to its success. Their on-screen chemistry and the film’s engaging storyline helped it rise above the competition, establishing Red One as a must-watch holiday movie.

Carry-On: A Strong Contender

On the other hand, Netflix’s Carry-On also had a robust opening week, racking up 1.69 billion minutes of viewing. Although it premiered one day later than Red One, the film, which features talents like Taron Egerton and Jason Bateman, quickly captured viewers’ attention. As of this writing, Carry-On has secured a position in Netflix’s top five English-language films released in the last 91 days, demonstrating its strong appeal and the growing interest in suspenseful narratives.

The thriller genre has seen a resurgence in popularity, and Carry-On capitalizes on this trend. With its engaging plot and unexpected twists, it has resonated well with audiences looking for gripping narratives that keep them on the edge of their seats. This success underscores Netflix’s strategy to invest in diverse genres, catering to various viewer preferences.

Additional Streaming Highlights

The streaming wars are marked by fierce competition, and several other titles garnered significant viewership during the same week. Netflix’s It Ends With Us, adapted from Colleen Hoover’s best-selling novel, drew 977 million minutes of watch time, landing it in fourth place overall on the Nielsen charts. This adaptation has sparked considerable discussion and controversy, further fueling its popularity and viewership.

In terms of series, Black Doves led the original series category with just over 1 billion viewing minutes, reflecting a growing trend toward serialized storytelling in streaming content. Meanwhile, the previous week’s leader, The Madness, fell to fourth place with 560 million minutes, illustrating the ever-changing dynamics of viewer preferences.

Nielsen Ratings: How They Work

Nielsen’s streaming ratings provide valuable insights into viewer habits, but it is essential to understand their limitations. The ratings cover only viewing on television sets and do not account for viewing on computers or mobile devices. Additionally, they are focused solely on U.S. audiences, meaning that global trends may differ significantly. This can create a skewed perception of a title’s true popularity, as many viewers prefer to watch content on various platforms.

Top Streaming Titles: December 9-15, 2024

Here’s a summary of the top streaming titles during the week of December 9-15, 2024:

  • Overall:
    • 1. Red One (Prime Video) – 2.1 billion minutes viewed
    • 2. Carry-On (Netflix) – 1.69 billion minutes viewed
    • 3. Black Doves (Netflix) – 1 billion minutes viewed
    • 4. It Ends With Us (Netflix) – 977 million minutes viewed
    • 5. Bluey (Disney+) – 905 million minutes viewed
  • Original Series:
    • 1. Black Doves – 1 billion minutes viewed
    • 2. No Good Deed – 883 million minutes viewed
    • 3. Landman – 826 million minutes viewed
    • 4. The Madness – 560 million minutes viewed
  • Movies:
    • 1. Red One – 2.1 billion minutes viewed
    • 2. Carry-On – 1.69 billion minutes viewed
    • 3. It Ends With Us – 977 million minutes viewed
    • 4. That Christmas – 596 million minutes viewed

Viewer Engagement Trends in Streaming

The impressive viewership numbers of Red One and Carry-On highlight several trends in the streaming landscape. First, the holiday season often sees a surge in viewership for festive content, making it an opportune time for platforms to release holiday-themed titles. Additionally, the star power of the cast plays a crucial role in attracting viewers, as evidenced by the popularity of films featuring well-known actors.

Moreover, the trend toward binge-watching and serialized content is becoming increasingly evident. Viewers are seeking out series that allow for deeper engagement and story development, which can lead to higher viewing minutes. This shift indicates that streaming platforms must continue to innovate and diversify their content offerings to capture audience attention effectively.

Conclusion

The week of December 9-15, 2024, witnessed an exciting clash of streaming titans, with Prime Video’s Red One and Netflix’s Carry-On captivating audiences and dominating the Nielsen charts. As streaming continues to evolve, the significance of viewer engagement, star power, and timely content releases will likely shape the industry’s future. With holiday-themed films and gripping thrillers gaining traction, both platforms are well-positioned to leverage these trends to attract and retain viewers. As we move forward, it will be fascinating to observe how these dynamics unfold in the ever-competitive streaming landscape.